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Thank You To A Teacher

At first, I was going to post this with the name of the professor, but my daughter Rae convinced me it would be as powerful if it were anonymous. Several years ago, I quoted a teacher friend of mine by name in this column and she was furious. I removed her name from my site and almost learned my lesson. As Rae said, "You don't want to anger someone to whom you are grateful." She is right. So, I have removed the identifying details. But minus a few words, this is the letter I sent last week to an old professor.

Dear Professor

After 30 years as a journalist, I cannot help myself; I have to write this as an inverted pyramid.

Thank you. The brief time I spent as your student was valuable to me and improved my life.

I would be flattered and surprised if you remembered me from your playwriting course… but I sure as heckfire remember you. I felt compelled to write because I am now a teacher, with a fuller realization that, since we're clearly not in it for the money, we must be in it for the psychic rewards. I would like to offer you what I hope will be a small psychic reward--you made my life better.

I am constantly amazed (and sometimes either disappointed or downright shocked) at the things my students remember from my class, so I will tell you what I remember from my time with you. I remember you gave us a reading of your one-act play… It may even have been a work in progress when you read it to us. My vision of the scene is one of rapt attention by the students and a fantastic reading by you. I remember you allowing me to read my execrable play Sam Patch (actually, the book for a musical produced at the MIT radio station, the master tape for which I just rediscovered) to the class. As I recall it, you gently pointed out to me that the play lacked an antagonist, and that an antagonist was a fairly critical element of most plays. My memory tends to be epigrammatic, so I remember the advice you gave about playwriting: "Good versus evil is a comic book. Good versus good makes an interesting play."

I came to MIT intending to become an electrical engineer. Once I arrived, however, I found myself so distracted by non-academic activities that, in the words of my freshman advisor, I was in the "twilight of a mediocre academic career." The best way to decide on a career path, I felt, was to look at my teachers and ask, "Who seems to be enjoying themselves the most?" My science, engineering and math teachers seemed happy enough, for the most part, but I was bowled over by the joie de vivre of only two teachers: my late mentor, former Newsweek senior editor Edwin Diamond--and you. I loved writing Sam Patch and working for The Tech and was utterly disinterested in nearly everything else I was doing. That cinched it for me. I would write for a living.

I only wrote one more piece for public performance, a four-part series of 15-minute (incredibly derivative) radio sketch programs for the MIT student radio station. After that I was a full-time professional journalist for three decades. Every word I wrote was ephemeral, as evanescent as baby's breath, and had the shelf life of fish. In my 50s, I decided to leave a more permanent mark on the world, and that's how I came to teach 8th grade U.S. History. Once more, you were an influence; as I contemplated the career change, I was overwhelmed with gratitude for the numerous fine teachers who helped me become the happy and successful person I am. Alas, many of those teachers are no longer with us, but I have thanked as many of them as I can find. I realized at about 4:30 this morning that I had not thanked you. You may be happy to hear that I spent a delightful two hours composing this letter in my mind before I got up. I am particularly proud of the descriptions of the permanence of my journalism.

In addition to mailing you this in care of your agents at William Morris, I am posting it on my blog because I am proud of having been your student. Also, one of the most interesting aspects of the blogosphere is that someone will stumble across this someday (possibly as soon as next week), and be inspired to write to one of their teachers--maybe even me. Let the chain remain unbroken!

Yours truly,
Paul Schindler

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Paul's Reading

  • Laton McCartney: The Teapot Dome Scandal: How Big Oil Bought the Harding White House and Tried to Steal the Country

    Laton McCartney: The Teapot Dome Scandal: How Big Oil Bought the Harding White House and Tried to Steal the Country
    I am fortunate to know the author of this book; he used to be my boss at InformationWEEK. He has written numerous first-rate works, including a swell book about the discovery of the South Pass on the Oregon Trail and the inside story of Bechtel. Here, he takes an obscure but extremely important scandal in American history and makes it come alive. Teapot Dome is hard to grasp for several reasons: it was complicated, it unwound slowly (over almost a decade) because of the nefarious delays in the congressional investigation, and it became less urgent after the death of Harding, the man in the middle. Astoundingly, the GOP, corrupt to the core in the 1920s, escaped unscathed, winning in 1924 and 1928 as Teapot Dome unfolded. McCartney's trademark "you are there" recreations, founded in the carefully researched historical record, make the whole thing squalid affair quite vivid, and his Wyoming roots (half the scandalous land involved was in Wyoming) clearly motivated him to tell the story. (*****)

  • Max Barry: Jennifer Government

    Max Barry: Jennifer Government
    I am not really a sucker for every book I read, which is why this is a four star, not a five star. It begins slowly, and the first half is a confusing, hard slog. But eventually this dystopian vision of corporations rampant and a vestigial government picks up speed, excitement and interest. In Barry's world, your last name is the company you work for, thus, government agent Jennifer Government and her nemesis John Nike. Absurd, rollicking, action-packed and scary. (****)

  • Dick Meyer: Why We Hate Us: American Discontent in the New Millennium

    Dick Meyer: Why We Hate Us: American Discontent in the New Millennium
    Vicki and I heard Dick Meyer on an NPR Podcast (from their excellent series on authors speaking at bookstores), describing this book, which explains why Americans are so angry about their culture and what can be done about it. A former CBS producer, he now works for NPR. He has noticed downward spiral of--well, nearly everything, but he does not believe it is inevitable or unstoppable. It is a refreshing book, full of pointed observations, with an abbreviated but still thoughtful "prescription" section at the end. Both the problem and the solution start with you. (*****)

  • David Sedaris: When You Are Engulfed in Flames

    David Sedaris: When You Are Engulfed in Flames
    David Sedaris is an acquired taste, like smoking. He is a New Yorker essayist and "memoirist," whose life is recounted in essay form in a "heightened," and so more humorous, reality. I find his work laugh out loud funny, and can't recommend his new book too highly. He does not achieve his effects, like Perlman and Allen, with vocabulary, but with simple words and a nasty self-deprecation that never fails to amuse me. (*****)

  • Paul Auster: The Book of Illusions: A Novel

    Paul Auster: The Book of Illusions: A Novel
    For anyone who likes every page of their novel soaked in the feeling of being a Hollywood insider, this piece of literary fiction should be like catnip. Auster has written the tale of a woebegone academic who stumbles across a silent film comedian. The comic made movies for a year and a half, then disappeared 60 years earlier. The academic writes the first and only book about the actor, and is then told his subject is still alive! The interweaving of the two narratives, the richly imagined life of the actor and the sadly lived life of the professor, is skillful in a way that makes me jealous as a writer. It's a great read. Sep. 08 (*****)

  • Christopher Buckley: Supreme Courtship

    Christopher Buckley: Supreme Courtship
    Consistently funny, Buckley walks a fine line between parody, satire and slapstick, and does so in a consistently amusing and entertaining way. Supreme Courtship is the story of a television judge elevated to the Supreme Court by a frustrated president. Buckley deftly skewers modern presidential campaigns and modern internal Supreme Court bickering at the same time, as well as taking a few well-aimed swipes at reality television. There are several characters who are recognizable burlesque version of real people (including Sen. Joe Biden), but unlike, say, Black and White and Dead All Over, such thinly disguised portraits are incidental, rather than central. Rollicking fun. Be sure to read it. Sep. 08 (*****)

  • John Darnton: Black and White and Dead All Over

    John Darnton: Black and White and Dead All Over
    You finish this book feeling as though you are covered with printer's ink. You'll have no trouble spotting Arthur Sulzberger, Jr., R.W. "Johnny" Apple, former executive editors Howell Raines and A.M. "Abe" Rosenthal. The novel features a detailed tour of the important parts of the building (including the hole where the presses used to be and the neglected morgue), as well as a seemingly accurate and well-sketched look at actual daily newspaper operations. Fantastic, engaging and well written. Aug. 08 (*****)

  • Christopher Buckley: Boomsday

    Christopher Buckley: Boomsday
    Once again, Buckley shares his comedic genius with us. This time, he takes the fact that the simultaneous retirement of all the boomers is going to bankrupt the country, mixes it with presidential politics and a little polite sex, and creates gales of hysterical laughter. Smart, witty and clever, this book once again marks Buckley as a worthy successor to the greats of American narrative humor, and makes him one of my favorite living authors. Aug 08 (*****)

  • Keith Colquhoun: Beyond Reason

    Keith Colquhoun: Beyond Reason
    Well-written, fast-paced, entertaining, and, like his other works, endearingly eccentric. If you are interested in a good novel that doesn't read just like every other novel, and some thoughtful chatter about the state of religion, wrapped into an entertaining package, you'll like Beyond Reason. Jun 08 (****)

  • Sven Birkerts: The Gutenberg Elegies: The Fate of Reading in an Electronic Age

    Sven Birkerts: The Gutenberg Elegies: The Fate of Reading in an Electronic Age
    This collection of essays alternates between hopeful and depressing as it soberly considers the future propspects of the act of reading dead-tree media. In this re-issue, the author admits to succumbing to electronic creation, but clings to reading on paper. A reasonable compromise? I think so. Thoughtful and engaging. 1/07. (*****)

Favorite Movies

  • My all-time favorite movie:
    Groundhog Day. I have created a fan site that is universally acknowledged to be the best on the Internet dedicated to this work of art.

    All the rest of my favorite movies (Deadline USA, The Paper, CitizenKane) are Journalism movies.

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